In her Provincetown studio, she works instinctively, letting images arrive without a fixed plan. A painting might begin with a familiar landscape, but something strange or playful always pushes through, a giant chicken foot, a floating eye, a crocodile with red nails and a yellow bow. These odd, sometimes humorous details help express a truth that cannot always be explained, only felt.
She is drawn to the unexpected. Her paintings often begin with a phrase, a memory, or something from nature, and take shape through a kind of quiet rebellion, doing what she is not supposed to do. That freedom, that honesty, is what keeps the work alive. She follows where the painting leads, even when it surprises her. Especially then.